![]() Fortunately, taste and tact prevail, unlike the studio's Murders in the Rue Morgue, which gleefully showed almost everything but failed to establish the overwhelming sense of morbid passion exhibited here. Interestingly, though few seem to notice, it is also one of the most sexually suggestive and perverse films of its era, with Manners' bizarre seduction of Helen prefiguring an even more open-ended flashback in which viewers are allowed to see why high priest Karloff was punished for doing "unspeakable" things in his love's tomb. While Universal usually had some kind of source material from which to draw its monstrous visions, The Mummy had to be fabricated from scratch following the national craze for all things Egyptian (King Tut's tomb in particular). Not really a traditional monster film, The Mummy is more of a dark supernatural romance in which one of the characters happens to be a few thousand years old.Ī group of not terribly bright archeologists, including the "hero," Frank (David Manners), uncover an Egyptian burial structure and, ignoring the warnings plastered all over the coffin, open up the tomb of Im-Ho-Tep, who promptly comes to life and "goes for a little walk." Ten years later, Ardath Bey arrives and establishes a hypnotic rapport with Helen (Zita Johann), the reincarnation of his lost Egyptian love. ![]() While Boris Karloff does indeed make his initial appearance in the film in Im-Ho-Tep mummy garb (a fantastic sequence and one of horrordom's finest), the majority of the tale finds him resuscitated in human form (albeit a little strange looking) as Ardath Bey. THE ORDER THE MUMMY MOVIES 1932 MOVIEStumarĪ solid entry in the Universal monster movie sweepstakes, The Mummy has fallen victim over the years to countless misconceptions from the wave of fake sequels and remakes. When she isn't busy reading everything ever published under the mantle of Image Comics, you might find her writing fiction, rock climbing, or putting together a horror anthology with friends.Starring Boris Karloff, Zita Johann, David Manners, Bramwell Fletcher, Artur Byron, Edward Van Sloan / Produced by Carl Laemmle, Jr. Her focus is on the cross-section between story, cultural background, and character development. An avid reader and fan of writing, she leverages her love of literature to dissect movies in her favorite genres, including horror, rom-coms, and superhero movies. Hailing from Queretaro, Mexico, she is a graduate of the University of East Anglia's English Literature with Creative Writing program. Previously, she has also worked as a ghost writer for a fiction manuscript, and co-founded arts-and-literature magazine, Octarine. She has worked as a freelance writer since 2017, writing articles, features, and profiles in a wide range of topics, from business and tech to pop culture and media. She has experience in editorial working as the deputy editor for Specialty Food, an online and print magazine, curating its news section and social media. Shannon Lewis is a features and news writer on Screen Rant. Here’s how the many different iterations of the creature feature rank, from worst to best. At their best, they speak to consequences of colonialism, indulging the supernatural adventure streak within audiences. At their worst, they fall into problematic Orientalism. Related: Every Failed Attempt At The Dark Universeįrom 1931 to 2017, there are plenty of things to love and criticize in The Mummy movies. THE ORDER THE MUMMY MOVIES 1932 UPDATEHowever, no update to The Mummy has been announced. Currently, there are other Dark Universe properties in development following Leigh Whannell's The Invisible Man such as a Karyn Kusama led Dracula and a James Wan produced movie that many suspect to be Frankenstein. ![]() Most iterations follow the same basic story premise: a figure from ancient Egypt is buried alive as punishment for defying the gods and is brought back to life when archaeologists plunder their grave despite copious warning. The Mummy is a classic Universal movie monster whose appearance on the silver screen spans almost a century, from origins in a 1932 black-and-white movie to the 2017 Tom Cruise iteration.
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